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Its counter-weight distributes the weight and allows you to do the shooting for a long time without getting fatigue

The 15mm Straight Bracket allows the user to use the camera off-center so as to bring the camera on the eye level to use eye-piece.

The Whole Rig can be mounted on the Tripod with the help of tripod mounting plate provided with this kit

The Telescopic handles with rubber gripping gives the complete rest to hands while shooting

The Shoulder pad makes the operator's shoulder stressfree while shooing

There is height riser that allows the camera to adjust at desired height

The camera mounting plate has horizontal adjustment.

The 15mm parts of the shoulder mount can be adjusted anywhere on the 15mm rods

The silver knobs allws quick attachment of 15mm parts....

Completely gear driven design for slip-free and accurate movement.

Adjustable slide mounting mechanism to fit any lens diameter.

Adjustable locking system.

Mounts onto 15 mm Rod Support (60mm center to center difference).

Positional indicator.

Allows extremely focusing lenses to be geared and used with follow focus industry standard 0.8 module.

Fits most lenses with proper focus gear drive (Interchangeable gear drives (currently shipping 0.8/2.51mm pitch)

FOLLOW FOCUS COMES WITH THE FOLLOWING PARTS

1. •Complete unit with fixed Hand Wheel.
   

2. •Marking disc.
   

3. •15" Long Whip
   

4. •Speed Crank
   

5. •Set of six Focusing Rings.

This Mattebox has two 4"x4" filter holders; perfect for polarizers and combination of square filters.

Rotating filter holder enables user to eject or instal square filter without disturbing microphone or flash settings.

FRONT ADJUSTER : Front Adjuster attaches mattebox to the 15mm rods. The front adjuster is made of metal. It is designed with quick lock mechanism.

FOAM DONUT RINGS : Mattebox M-5 attaches to the cameras in such a way that only a soft foam cussioned lens ring (DONUT) contacts lens barrel, so you don't have to worry about your lens during the bumps and grinds of capturing exciting footage.

The Mattebox includes five donut with inner diameter 81mm, 78mm, 75mm, 65mm, 54mm. The outer Dia of this matte box is 95mm.

This Mattebox comes with both 4:3 and 16:9 aspect ratio format so that this mattebox can be used with both normal as well as wide angle lenses. 4:3 and 16:9 ratio mask can easily be attached or diattached with four small screws in the front of the mattebox.

SPECIFICATION

1. •Gear Arm adjustable distance : 55 mm
   

2. •Construction (Follow Focus : Aluminum Black Anodized)
   

3. •Exchangeable Gear Drive for : Fujinon/Canon/Kinor
   

4. •Dial Outside Diameter : 75 mm (of white wheel)
   

5. •Fit Rail Dia : 15 mm
   

6. •Fit Rail Distance : 60 mm & 104mm

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3. •Dimensions : 175(L) 125(H) 110(W)
   

4. •Dial Index Adjustment : 360o
   

5. •Gear Wt. : 30 gms
   

6. •Follow Focus Wt. : 290 gms
   

7. •Wt with packing : 2.00 Kgs
   

8. •Gear Dia : 33 mm

The RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work.

The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles.

SPECIFICATION

1. •Broadcast sound quality
   

2. •Low noise circuitry
   

3. •Condenser transducer
   

4. •P48 phantom power or 1.5V AA battery
   

5. •Two step High-Pass Filter - Flat or 80Hz
   

6. •Rugged metal construction
   

7. •Low weight - 161g (5.17 oz.)
   

8. •Low handling noise
   

9. •Power: P48 (48V) phantom supply or 1.5V AA battery
   

10. •Acoustic Principle: Line gradient
    

11. •Directional Pattern: Super Cardioid
    

12. •Frequency range: 20Hz-20kHz, selectable HPF @ 80Hz/12dB/octave
    

13. •Output impedance: 250Ω (phantom), 350Ω (battery)
    

14. •Signal noise ratio: 76 dB SPL (A - weighted per IEC651)
    

15. •Equivalent noise: 18 dB SPL (A - weighted per IEC651)

1. •Maximum SPL: 131dB SPL (@ 1kHz, 1% THD into 1KΩ load)
   

2. •Maximum output voltage: -15.4dBu (@ 1kHz, 1% THD into 1KΩ load)
   

3. •Sensitivity: -36 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
   

4. •Weight 161gm
   

5. •Dimensions 278mmH x 22mmW x 22mmD

MATTBOX COMES WITH THE FOLLOWING PARTS

1. •Matte box with 4:3 & 16:9 format masks
   

2. •French Flag
   

3. •Set of Side Flags
   

4. •2pc of 4x4 Filter Tray Holders
   

5. •5pc of Donut Rings
   

6. •Front Adjuster - Plastic
   

7. •Front/Height Adjuster - Metal

MATTBOX

FOLLOW FOCUS

DSLR SHOULDER MOUNT

ON BOARD MONITOR

RODE NTG - 2 CONDENSER MIC

(PLUS BOOM and CANON SHOE MOUNT)

CANON EOS 7D

Newly computed fast reporter lens with moderate wide-angle coverage. High optical performance available across the frame throughout the focusing range. Long-life all-metal barrel of very high precision

The concentrated view - a lens optimized for medium to longer distances.
This short telephoto is a classic portrait focal length which is further enhanced by the long barrel rotation for precise control of the focus point in the image. The Planar T* 1,4/85 is optimized for medium to longer distances and provides distortion-free performance, which only improves as the lens is stopped down. The fast f/1.4 aperture is very useful for creatively controlling the depth of field and the nearly circular diaphragm creates a pleasing ‘bokeh’ in the out-of-focus areas. The Planar T* 1,4/85 is available with the F bayonet (ZF), EF bayonet (ZE) and K bayonet (ZK) lens mounts and is designed for use with full-frame SLR and DSLR cameras. Combined with a DSLR with a 1.5 crop factor, the lens becomes a focal length of 128 mm.

Canon today strengthens its EF-S series of lenses with the launch of two powerful standard kit lenses for EOS EF-S camera owners:  the EF-S 18-135mm f/3.5-5.6 IS and the EF-S 15-85mm f/3.5-5.6 IS USM. Both lenses match the style and performance of Canon’s new APS-C sensor camera – the Canon EOS 7D.  

The high performance standard zoom lens
The high-quality EF-S 15-85mm f/3.5-5.6 IS USM is equivalent to a 24-136mm focal length lens (5.6x standard zoom).  Designed for EOS EF-S mount bodies the lens covers wide angle and portrait focal ranges. It also offers a 4-stop Image Stabilizer as well as a close focusing distance of just 0.35m throughout the zoom range.

Versatile super zoom lens
The EF-S 18-135mm f/3.5-5.6 IS is a powerful all-in-one lens for EOS EF-S mount bodies. It features a 4-stop Image Stabilizer and a 7.5x super zoom range (approx. 29-216mm equivalent focal length).  The lens covers a wide range of focal lengths with a 0.45m minimum focusing distance. A general-purpose zoom, it is ideal for photographers looking to make the step up from a standard kit lens.

Easy-to-use impressive image quality
Both lenses offer great low-light performance due to the inclusion of a 4-stop Image Stabilizer that automatically detects panning and tripods, responding accordingly to help photographers take steady shots in any situation. The addition of ultra low dispersion (UD) lenses and aspherical lens elements - as well as lens coatings optimised to combat ghosting and flare - ensure high quality throughout. Both products also include a circular aperture for beautiful background blur (bokeh).

CARL ZEISS PRIME - 35MM (CANON MOUNT)

CARL ZEISS PRIME - 85 mm (CANON MOUNT)

CANON - 18 - 135MM

SPECIFICATION

1. •Focal length: 18-135
   

2. •35mm equivalent focal length: 29-216mm
   

3. •Diagonal Angle of view (APS-C): 74º - 20' - 11º - 30'
   

4. •Minimum aperture: F22-36
   

5. •Minimum focus: 0.45m
   

6. •Maximum magnification: 0.21x at 135mm
   

7. •Image stabilisation: Yes
   

8. •Filter thread: 67mm
   

9. •Supplied accessories: Front and rear caps
   

10. •Weight: 455 g 16 oz)
    

11. •Dimensions: 75.4 mm diameter x 101 mm length
    

SPECIFICATION

1. •Focal Length: 85 mm
   

2. •Aperture range: f/1.4 - f/16 (half steps)
   

3. •Focusing range: 1 m - infinity
   

4. •Coverage at close range: 24 x 36 cm
   

5. •Angular field (diag./horiz./vert.): 29/24/16 °
   

6. •Filter-Mount: M 72 x 0.75
   

7. •Weight: 680 g
   

8. •Dimensions (with caps): ø: 78 mm, L: 85 mm

SPECIFICATION

1. •Focal Length: 35 mm
   

2. •Aperture range: f/2.0 – f/22 (1/2 steps)
   

3. •Focusing range: 0,3 m – infinity
   

4. •Angular field (diag./horiz./vert.): 62/53/37 °
   

5. •Filter-Mount: M 58 x 0.75
   

6. •Weight: 570 g
   

7. •Diameter: 72,7 mm
   

8. •Dimensions (with caps): 99 mm

Built to match the passion of photographers. With an 18MP sensor, 8fps shooting, ISO12800, Intelligent Viewfinder and Full HD 1080 movies, the EOS 7D offers performance with unprecedented versatility.

SPECIFICATION

1. •18MP APS-C CMOS sensor
   

2. •8fps shooting
   

3. •ISO range up to 12800
   

4. •100% Viewfinder
   

5. •19 cross-type AF points
   

6. •iFCL metering system
   

7. •Dual "DIGIC 4"
   

8. •Full HD movie
   

9. •Integrated Speedlite Transmitter
   

10. •3” Clear View II LCD
    

11. •Magnesium alloy body with environmental protection

The Glidetrack HD came about in response to requests from owners of heavier camera setups looking to get that Glidetrack look in their shots.

The HD model offers an identical length of travel as the SD, however, it is made from a heavier gauge of extrusion and features a much heavier duty look and feel to it. It has wider feet to make it even more stable when used with depth of field adapters and camera setups featuring longer lenses i.e. Canon 5DMk2 or similar.

As with all the Glidetracks, you have the option of tripod (2m requires twin tripods) or floor mounting it to give you a large variety of shots. Just a few ideas could be.

1. 1Ultra low floor mounted shots. Get RIGHT down beside the action in a way that no traditional dolly system ever could.
   

2. 2Table Mounted Shots-How about doing your dolly shot in around through the items on a table. Again, a traditional dolly setup couldn't do that.
   

3. 3Traverse through-Using two tripods, you can have your Glidetrack move from outside to inside or through an object
   

4. 4Crane type moves. By mounting your Glidetrack at one end, you can do pseudo crane moves on the fly.
   

5. 5Inclined dolly moves, By using two tripod heads, you can do your Glide at an angle. Try that with a traditional dolly!
   

SPECIFICATION

1. •Length 198cm (78")
   

2. •Width 30cm (12")
   

3. •Depth 6cm (2.25")

GLIDETRACK

With the ProAm® DVC250 12' crane, you'll be able to record amazing footage that will really hold people's attention. It's broad range of compatibility and wallet friendly price make it the smartest addition to your equipment list. The crane mounts easily to a sturdy tripod or to our crane stand. You can attach any digital video camera or still camera up to 8lbs. It will arrive mostly pre-assembled, so setup is a breeze, and it takes very little skill to operate! No tools are required. Minutes after you take it out of the box you'll be immersed into a whole new world of possibilities. Whether you're shooting commercials, music videos, weddings or films, a ProAm® crane will grow your business and make your projects better than ever.

The crane tilts independent of the tripod head and uses it to pan. The third point of movement is the camera itself. This crane is best suited for MiniDV cameras up to 8 lbs. The crane is built for right handed users, but can be made to accommodate left handed users.

SPECIFICATION

1. •Lightweight and sturdy 6061 aircraft aluminum construction
   

2. •Gains 9ft (274cm) from the tripod or support and up to 15ft from the ground when attached to a large tripod
   

3. •Convertible design allows 4' mid-section to be removed, shortening the crane to 8' in total length
   

4. •Quickly mounts to standard tripod heads using 1/4" x 20 threads. Does not require removal of the head. Tripod must be rated to support weight of crane, camera and counterweights.
   

5. •Camera can tilt independent of the crane itself
   

6. •Operate with one hand using auto-tilt mode. Simply remove one pin to enable manual tilting of the camera
   

7. •12' crane breaks down into three 4' sections in seconds
   

8. •Weights can be easily added for counterbalance (not included)
   

9. •Get shots from below or overhead subject
   

10. •Crane supports up to 8 lbs. (3.6kg)
    

11. •Smooth effortless motions on three axis
    

12. •LCD monitor can be easily added to view live footage
    

13. •DVC250 crane weighs only 16 lbs (5.4kg)
    

PROAM DVC250 -12’ CRANE

Motorized Pan and Tilt Head

1. •Auto Pan: continuous horizontal panning motion of +/- 30Y, +/- 60Y, or =/- 90Y
   

2. •Remote operation: detachable remote control unit
   

3. •Remote: 4 - way direction control
   

4. •Variable Speed control
   

5. •Power by AA batteries
   

6. •Weighs: 2 lbs.
   

7. •Max Load: 2.75 kg
   

LANC CONTROLLER

1. •Dual zoom controls
   

2. •Focus controls
   

3. •Run/pause (record)
   

4. •Automatic camera power up
   

5. •Silent operational controls
   

6. •V-block swing away clamp
   

7. •Slope mount only
   

8. •Extra Velcro included
   

FULL LIST OF EQUIPMENT (scroll down for details):

1. -CANON 7D
   

1. -CARL ZEISS PRIME LENS 35mm (f2.0)
   

2. -CARL ZEISS PRIME LENS 85mm (f1.4)
   

3. -TAMRON ZOOM LENS 70- 300mm
   

4. -CANON ZOOM LENS 18-135mm
   

5. -TOKINA 11-16mm (f2.8)
   

1. -SHOULDER MOUNT
   

2. -FOLLOW FOCUS
   

3. -MATTE BOX
   

4. -4x4 TIFFEN ND FILTER 0.6
   

1. -7” ON BOARD MONITOR
   

2. -MONITOR X LOUPE
   

1. -RODE CONDENSER MIC
   

2. -RODE BOOM
   

3. -OLYMPUS LS - 10 AUDIO RECORDER
   

- TIME LAPSE REMOTE CONTROL

1. -12’ PROAM CRANE
   

2. -2m GLIDETRACK SLIDER
   

3. -0.75m GLIDETRACK SLIDER
   

4. -GLIDECAM 2000
   

ADDITIONAL CONTENT:

1. •2x 16gb SanDisc Compact Flash Cards
   

2. •3x Batteries
   

3. •Waterproof carry-bag

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